Protée V (1994) for piano, creation in Dordogne by Béatrice Peignois.
Huit petites pièces pour piano (1995)
creation at « Beaux-Arts school » of Bordeaux by Pascale Jakubowski.
Protée VI for baritone saxophone, creation in Ille-et-Vilaine by Stéphane Sordet in 2000.
Deux petites pièces en forme de haïku (1997)
for clarinet in B flat, creation at the University of Bordeaux by Richard Rimbert.
Sur la lune deux cils gris (1997), for clarinet in B flat, creation in 1999 at the National Concert Hall in Dublin (Ireland) by Paul Roé.
Sous les arcs outrepassés (1997), for clarinet in B flat.
Sous tes pieds les étoiles (1997) for piano, creation at the Britten school of Périgueux by Béatrice Peignois.
Accroché au cou de chaque homme un oiseau (1997) for bassoon.
Grand Bassam (1998) for cello, creation at the University of Bordeaux by David Simpson.
Deux Préludes (1999) for alto saxophone, creation at the modern arts museum of Strasbourg by Paul Wehage.
Duel (1999) for alto saxophone, creation in several music schools in Ille-et-Vilaine.
Entre plume et sable (1999)for alto flute, creation at the regional music school of Rennes by Eric Bescond.
Alliance (2003) for piano and baritone, creation at “Radio France” in June 2006 by Thomas Dolié and Henri Bonamy (ordered by Radio France).
d-li (2006) pour piano et voix de baryton, création à Radio France en juin 2006 par Thomas Dolié et Henri Bonamy.(commande de Radio France)/
Exil (2010) for guitar, creation at the University of Nantes by Roberto Aussel.
En aucun lieu (2014) for piano.
Incantations (2014) for hurdy gurdy and electro acoustic environment, creation at Polignac fortress by Laurence Bourdin. (ordered by “Grain de son” Company).
Ellipse (2016) for piano, creation at Pianos folies Festival of Touquet-Paris- Plage. (ordered by themselves).
XBB (2016) for guitar and electro acoustic environment, creation by Olivier Pelmoine. (ordered by himself).
Rives et dérives (1996) for tenor saxophone and piano, creation at the University of Alberta (Canada) by Jean Michel Goury (saxophone) and Yves Josset (piano).
Ibéji II (1996)for violin and piano, creation in Dordogne by Joëlle Tiprez and Béatrice Peignois.
Ibéji III (1996)for cello and piano, creation in 1997 at Britten school of Périgueux by David Simpson and Béatrice Peignois.
Ibéji IV (1997) for piano and soprano saxophone, creation in February of 1998 at the University of Alberta (Canada) by Yves Josset and Jean Michel Goury.
Ibéji V (1999) for alto saxophone and accordion, creation in Denmark by Paul Wehage and Maria Wärme Otterstrom.
Look at mi (2005) for violin and cello, creation in Luxembourg by Judith and Vania Lecuit (ordered by Cid-Femmes from Luxembourg).
Horizons croisés for piano four hands, creation at Pianos folies Festival of Touquet-Paris- Plage (ordered by themselves) by Béatrice Peignois and Axel Willem.
1+1=3 (1997) for piano, cello and bass flute, creation in 1998 at Britten school of Périgueux by Béatrice Peignois, David Simpson and Gilles Burgos.
Dans ton chapeau, une pierre de pluie (1997) for clarinet, bassoon, piano, prepared music boxes and spring toys, creation in 1998 at the cultural Centre “La Visitation” in Périgueux by Jean-Marie Juan, Bruno Perret and Pascale Jakubowski (ordered by Périgueux city).
Les délibérations des fissures (1998) for voice, cello and piano, creation at the University of Bordeaux by Sylvie Deguy, David Simpson and Béatrice Peignois (piano).
Trois pièces pour voix et piano (1999), creation in 2000 in Rennes by Charles Barbier and Agnès Dubois-Chauvet.
Entre pierre et lune (1999) for oboe, viola and piano, creation in American cultural Centre of Rennes by Laurent Doosche, Claire Merlet and Béatrice Peignois.
Geb et Nout (1999) for alto saxophone, cello, three kettledrums and electro acoustic environment, creation at the regional music schools of Amiens and Boulogne-Billancourt (ordered by “association des Saxophonistes”).
The Well’s indifference (2000)for mezzo-soprano, flute, cello and accordion, creation au Denmark by « Wärme-quartet » (ordered by themselves).
Sur l’épaule d’une ombre (2001) for flute, alto saxophone, piano four hands electro acoustic environment, creation in 2002 in United States and Japan by Apollinaire quartet (ordered by Selmer France).
Vers l’île blanche (1996), concerto for piano and instrumental group, creation at André Malraux Centre in Bordeaux by Béatrice Peignois by “Musique Nouvelle group” of Bordeaux-Aquitaine, conducted by Michel Fusté-Lambezat.
Concertino pour saxophone soprano et octuor de violoncelles (1998)creation at the international festival of Fiuggi (Italy) by Paul Wehage and a cellos octet from Paris and Pascale Jakubowski as conductor (ordered by the festival).
Ode à Mars (2000) a “pocket opera” for two alto voices, a countertenor/baritone, one tenor, one bass, a cello, a horn and electro acoustic environment, based on a notebook written by Eduardo Manet, conducting and staging by Irène Jarsky, creation in 2000 at the TNT of Bordeaux (ordered by the French government).
La pluie le trouble (2006) for clarinet in B flat and strings quartet, creation at the Saint-Germain Auditorium in Paris (ordered by the city).
To nie takie (2010) for flute, clarinet and strings quartet, creation at the Saint-Germain Auditorium in Paris (ordered by the city).
Sous tes cils une énigme (2010) concerto for clarinets in B flat, bass and double bass and instrumental group (flute in C and flute in G, oboe/English horn, bassoon/double bassoon, trumpet, horn, trombone, strings quintet and percussions), creation by the “Ensemble Orchestral Contemporain” at Saint-Étienne’s opera (ordered by the EOC).
Naos (2015) for guitar, violin, clarinet, cello and instrumental group, creation in the Saint-Pierre Church of Firminy by Léonard Chantepy, Hervé Cligniez, Valérie Dulac, Gaël Rassaert (“Ensemble Orchestral Contemporain”), Marion Bennès, Aurélie Griffon, Damien Schulteiss, Yxing Zhang, Flora Lyonnet, Lucile Faure-Balard, Yuka Yoshida, Clara Védèche, Salomé Camarroque. (ordered by the OEC and the Massenet school of music of Saint-Etienne).
Les paupières des dormeurs (1999)for soprano voice and women choir, creation in Dordogne by Hermine Huguenel and « les Dames de Cœur ».
Phares de campagne (2000) for women choir and orchestra, creation in Rennes in June of 2000 (ordered by the “ADDM 35”).
Amulette (2000)for children choir and mixed choir, creation in Ille-et-Vilaine in June of 2000.
Éclaircie (2002) for women choir, strings group and saxophone or for mixed choir (ordered by the national music school of Alpes de Haute Provence).
Le lit à roulettes (2003) for mixed choir, creation in Périgueux by the “ensemble vocal de Périgueux” (ordered by the “ADDM 24”).
Orchestra with or without soloist
La voie des ailes (2002) for saxophone trio and orchestra, creation in Brest by the saxophone trio « Trimurti » and the symphonic orchestra of the national music school from Brest (ordered by the French government).
La pluie le trouble (2008) for orchestra.
Sous les pierres plates (2009) concerto for two clarinets and orchestra, creation by Richard Rimbert, Mathieu Larrieu and the “Symphonistes d’Aquitaine” in Gironde (specially ordered by Richard Rimbert).
Empreintes Furtives (2016)Concerto for solo cello and orchestra.
Ligne de crête (2000) for wind band, creation in 2000 in Ille-et-Vilaine by several wind bands form the region (ordered by the ADDM 35).
Aux pieds des grands arbres (2008) for wind band, creation at the Saint-Germain Auditorium in Paris (ordered by the city).
Entre toi et tout (2008) pour orchestre d’harmonie, création à l’Auditorium Saint-Germain à Paris.(commande de la ville de Paris).
Des oiseaux sous les flots (2000) for strings group and guitars, creation in 2000 in Rennes (ordered by the ADDM 35).
Dans les champs de pierres (2000)for “bagad” * and orchestra or for bagad and wind band, creation in 2000 in Rennes by the bagad from Vern and three wind bands from Ille et Vilaine (ordered by the ADDM 35).
Une échelle contre un pan de ciel (2000)for wind band, stings orchestra and guitars, women choir and bagad, creation in 2000 in Rennes by several groups from the department (ordered by the ADDM 35).
Imram (2002) for saxophone, bagad and wind band, creation in Brest by the “kevrenn Brest Sant-Mark “and the wind band of the national music school (ordered by Musique et Danse company in Val-de -Marne).
Le prochain pas (2003) for choir, wind band, marching band, steel band and bagad, creation in Laval by different music groups from the department. Score published in association between “Addm53” and “les Editions Aedam Musicae” (ordered by the “ADDM 53”).
Hautes Terres (2004) for violin, mezzo-soprano voice, tenor saxophone, horn, solo oboe, wind band and accordion group, creation in Alpes-de-Haute-Provence by teachers of the national music school from Alpes-de-Haute-Provence, the accordions academy and the department’s wind band (ordered by the national music school from Alpes de Haute Provence).
Les délibérations des nomades (2005) for kaval (chromatic end-blown flute traditionally played throughout the Balkans and Turkey), clarinet, saxophone, trumpet, violin, accordion, guitar, double bass, zarbs trio (drums trio) and symphonic orchestra, creation in Alpes-de-Haute-Provence by the soloists from “Aksak band”, the trio “Chémirani”, and the orchestra “opus 04-05” (ordered by the national music school from Alpes de Haute Provence).
Marine (1992) for recording tape, creation for the festival “La Science en Fête” in Bordeaux.
Télé-plastique (1993) for recording tape, creation in André Malraux culturel Centre in Bordeaux.
L’araignée folle par volonté (1998)for recording tape, recorded on a Compact Disc in tribute to Pierre Schaeffer, an Octandre-Bordeaux production. Creation during the Festival “Aujourd’hui Musiques” in Perpignan.
Dans les yeux des nomades (2000) electroacoustic music, CD inserted in a book, « Rencontres entre artistes et mathématiciennes » “l’Harmattan” Edition (ordered by the French government).
Le destin des petits riens (2005) , electroacoustic piece in a “plastic environment” de Francis Proudhom (visual artist), creation in 2006 in Gironde by Orell Vallet, Francis Proudhom and Pascale Jakubowski (ordered by the French government).
*A “bagad” is a Breton band, composed of bagpipes, bombards and drums (including snare, tenor and bass drums).